#Gateau au chocolat full#
#Gateau au chocolat free#

She is also an Associate Artist at Talawa Theatre.

She uses both lens based practices and performance with an aim to culminate a cathartic experience for both herself and the viewer. Her work is concerned with mental health & wellbeing, activism,archive and the diaspora. Heather Agyepong is visual artist & performer who lives and works in London.

He has recently directed the Acting Out Nottingham 2015 festival and is director of the curatorial group PS/Y which is currently developing a programme on the theme of Hysteria. Most recently he was artistic director of the highly acclaimed Anxiety Arts Festival London 2014. Dans un saladier à part, monter les blancs d’oeufs en neige. Bien mélanger et ajouter la fécule de pomme de terre (ou Maïzena), ainsi que la levure chimique. 3 Faire fondre le beurre dans un autre petit saladier au micro-ondes et le rajouter au saladier du chocolat fondu. Rajouter 4 cuillres d'eau et faire fondre au micro-ondes.

2 Casser la tablette de chocolat dans un petit saladier. Dans un saladier, verser le chocolat fondu et ajouter la compote. Prparation 1 Prchauffer le four therm.6 (200C). Faire fondre le chocolat avec deux cuillères à soupe d’eau. He was formerly Joint Programme Lead at the Sainsbury Centre of Mental Health, Senior Associate Coordinator at the Department of Health and was Inspire Programme Director at Arts Council England. Préparation du gâteau au chocolat coupe-faim. He has substantial experience of community engagement around mental health with minority groups.

#Gateau au chocolat free#

This talk is free to those with a ticket for the Wednesday 5 April performance.Įrrol Francis is CEO of Culture& and graduated from the London School of Economics and Political Science in Social Policy and from Central Saint Martins in Photography and Fine Art and is a PhD Candidate at the Slade School of Fine Art at UCL. Post-show Q & A: After the performance of Black on Wednesday 5th April, there will be a post-show discussion with Le Gateau Chocolat and Heather Agyepong, chaired by Errol Francis. Please ask a member of the front of house team if you would like to use it. The quiet space will be open from 7pm, until the end of the performance. This talk is free to those with a ticket to the performance on Wednesday 5 April.ĭuring the run of Black, there will be a quiet space available for anyone who needs a break in a peaceful environment, situated on the first floor (lift access is available).

#Gateau au chocolat full#

full of beauty and intensity.’ The StageīSL interpreted performance: Wednesday 5 April, 8pm.Īfter the performance of Black on Wednesday 5 April, there will be a post-show discussion with Le Gateau Chocolat and Heather Agyepong, chaired by Errol Francis. depression distilled in music and insight. 'One of the most life-affirming, inventive and beautiful shows' The List investigating his own objects of worship through the songs and music of his personal icons.ĭeveloped and produced by The Sick of the Fringe, supported by PRS Foundation’s The Open Fund.‘There is no greater agony than bearing an untold story inside you.’ Maya Angelouįeaturing a repertoire ranging from Wagner and Purcell to Nina Simone and Whitney Houston, Black is an intimate and confessional portrait of Nigerian singer Le Gateau Chocolat’s life: his hopes, his fears and his battle with depression. Re-imagined for this season and accompanied by Gateau's own 7-piece Cocoa Orchestra! Gateau unashamedly weaves through an eclectic mix of music pop, opera, rock Kate Bush, Whitney, Meat Loaf, Pavarotti. Walking the tightrope between his public and private personas, Le Gateau Chocolat explores the people, the moments, the relationships, the art that have come to shape us and the ideals we aspire to. Join us for the unmissable launch of this year’s SHOUT as Opera and lycra-loving cabaret sensation Le Gateau Chocolat storms the festival with ICONS.

‘ Life-enhancing, roof-lifting cabaret that celebrates the way music can shape you.’ The Stage ' Tremendously powerful… musically this performance is amazing, theatrically it is great and the fact this is a drag act is rendered irrelevant by the humanity expressed in both.' Hairline (UK)